![]() We are building investigations into possible war crimes committed in Israel, where people are reeling from the enormity of the loss of life in what is being described as a massacre, and in Gaza, where more than 2.2 million people face a now total siege and near-constant aerial bombardment. Since Saturday morning, when the first videos of carnage started trickling in, we have collected, preserved, verified, and contextualized key information to inform our research. This is where the Digital Investigations Lab at Human Rights Watch comes in, working closely with colleagues in our Middle East and North Africa division as well as our Crisis and Conflict team, including on-the-ground researchers. There are also scores of reports alleging serious abuses without necessarily being verified, including the use of white phosphorus and the beheading of children, among other claims.Ī stillframe from a graphic video shared on Instagram on October 10 by photographer Motaz Azaiza, which shows dead and gravely injured children, outside of Gaza’s Al-Shifa Hospital following Israeli military strikes. This includes footage from previous conflicts, incorrect geolocation, and false context. But much seems to be shared unintentionally by journalists, officials and concerned citizens alike. Some misinformation claiming to be from Israel, Gaza, Lebanon and elsewhere appears intentional: doctored footage, manipulated video, false translations, realistic footage from video games and more. The videos were horrifying, and they were real.īut shared alongside those videos were falsehoods, too, both subtle and blatant. One by one, we analyzed the videos, verifying when they were taken, where, and what they showed. And there were videos-many of them-of people screaming in agony as they held dead children, rushing bloodied civilians into hospitals, and pulling limp bodies from crumbling homes. There were scenes of flattened neighborhoods reduced to rubble, and displaced families emerging in shock from where their homes once stood. There were videos of hostages, too, some taken over the border to Gaza: a young Israeli woman begging for mercy on a motorbike a mother clinging to her two young children a group of shoeless civilians violently led down a street, their bodies later seen scattered on the ground, crumpled and still.įrom Gaza people shared photos and videos showing destruction and civilians killed by Israeli strikes. One shows a Palestinian gunman throwing a hand grenade into a public bomb shelter attached to a bus stop, gunning down an unarmed man who ran out another captured a militant shooting a man in civilian clothes on the ground at point blank range. The visuals are shocking: Some show young people running for their lives from a music festival, screaming out in fear as gunfire sprayed. © 2023 South First Responders via Telegram Too bad.Verified dashcam footage from the morning of October 7, 2023, shared on Telegram, shows a gunman taking hostage a bloodied man, and shooting another unarmed man – likely fatally – at close range at the site of the Supernova music festival near the Re’im kibbutz in southern Israel. but focus groups may have said otherwise because, by three episodes in, she's downright cuddly and mawkish. The network's original bet, and a good one, was that a star with as much appeal and wattage as Delany should be able to sell a Gregory House-ian M.E. "Body of Proof" wants to be "Bones" or "Castle" or "House" or even "Quincy, M.E." - or maybe that's just what ABC wants it to be. make her cry." Or "We need a cute daughter, stat." Or "Can we get a little less medical jargon in here, please?" The result is a formula procedural that's too often creatively timid and emotionally disconnected. ![]() You can almost see the TV executive Post-it notes on the screen: "Hunt's too mean. MY SAY "Body of Proof" feels like a show that has nearly been nibbled to death by network ducks. She reads all the clues the dead body offers, or, as she puts it, "honor the body for what it tells me." Her hunky partner, Peter Dunlop (Nicolas Bishop) humors her. She's got sharp elbows and is not afraid to use 'em. She's forced to start a new career in the medical examiner's office because "you can't kill somebody if they're already dead." Hunt proceeds to butt heads with everyone - notably chief of the ME's office, Dr. Then, the coup de grace: A car accident that left her with a condition (numbness) that led to the death of a patient on the operating table. Megan Hunt (Delany) was chief of neurosurgery at a prominent Philadelphia hospital when her husband left her and took custody of their 7-year-old daughter.
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